Occupy Wall Street has just celebrated its 30th day in the park. On Saturday, it inspired solidarity actions in 1000 cities and that is considered as an incredible achievement.
We have heard a lot about what they stand for but not how they organized to make this happen.
This occupation runs like a village with lots of participation from a diverse group of articulate people.
“Behind the scenes of occupy Wall Street is an organization that is pretty invisible. It is decentralized, it's bottom up and it's organized into working committees,” editor of the Mediachannel.org, Danny Schechter says.
In this edition of the show we will take you behind the scenes of Occupy Wall Street to show you how it all works.
Danny Schechter is a founder and the Vice President/Executive Producer of Globalvision, Inc., a media company formed in l987. At Globalvision, he created the award winning series "South Africa Now," which aired for three years. He co-created and co-executive produces "Rights & Wrongs: Human Rights Television," anchored by Charlayne Hunter-Gault, an award-winning globally distributed weekly television newsmagazine series. Mr. Schechter has also produced and directed seven independent films. Mr. Schechter has written: "The More You Watch, The Less You Know" (Seven Stories Press" (Seven Stories Press and the forthcoming "News Dissector: Passions, Pieces and Polemics (Electron Press.) He is the creator and executive editor of The Media Channel, a media and democracy supersite on the worldwide web. His left involvement stretches back to Ramparts Magazine, through the anti-war and civil rights movements of the sixties, and into the present day.
ZNetwork is funded solely through the generosity of its readers.
The Wind Cries Freedom, the new book from Z co-founder Michael Albert, is a sweeping oral history of a future American revolution.
Through thirty interconnected chapters, it draws out the strategies, failures, turning points, and hard-won wisdom of a movement that called itself the Revolutionary Participatory Society. These are not the polished memoirs of politicians: they are the unfiltered accounts of people who organized in neighborhoods, hospitals, universities, stadiums, courthouses, and places of worship, and kept a shared vision alive through cynicism and exhaustion.
The result is speculative political fiction that reads like history: messy, human, and quietly hopeful in the way that only real experience and long thought can produce.
Get your copy and peruse more features on the book’s website below.
“Read it, argue with it, but don’t look away. The future it recalls is one we must still fight to deserve.”
Yanis Varoufakis
“The most unusual and intriguing combination of prophecy, manifesto, and movement building manual that I have ever encountered.”
Bill Fletcher Junior
“This work fills a huge gap in our social movement literature.”
Cynthia Peters
Subscribe
All the latest from Z, directly to your inbox.
This is your article this month.
We’re glad you keep coming back. If Z’s work has informed, challenged, or inspired you, that’s no accident: there are no paywalls, no ads, and no billionaire owners here, and there never will be. Independent media survives because readers choose to support it.
Billionaires fund their own media. We fund ours. Help us reach 1,000 sustaining donors:
Your reading count is stored only in your browser and is never sent to us.
Sound is muted by default.Ā Tap š for the full experience
CRITICAL ACTION
Critical Action is a longtime friend of Z and a music and storytelling project grounded in liberation, solidarity, and resistance to authoritarian power. Through music, narrative, and multimedia, the project engages the same political realities and movement traditions that guide and motivate Zās work.
If this project resonates with you, you can learn more about it and find ways to support the work using the link below.
Independent media is not disappearing because the ideas are weak.
It is disappearing because platforms reward speed, outrage, and algorithmic visibility over thoughtful analysis.
More than 100,000 people read Z every month, free of paywalls, ads, and billionaire owners. It takes fewer than 1 in 100 of them to fund all of it: 1,000 donors who keep Z independent, for everyone, and build what comes next.