Laura talks to SEIU International President, Mary Kay Henry (of Service Employees) and labor journalist Sarah Jaffe about worker wins, challenges, and some new models for organizing. Then, a conversation with Palak Shah and Michelle Miller on a new online platform.

Laura Flanders is an Air America radio host and journalist. She is the author of Bushwomen: Tales of a Cynical Species and Real Majority, Media Minority: The Cost of Sidelining Women in Reporting. Flanders was the Founding Director of the Women’s Desk at the media-watch group FAIR.


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Laura Flanders is the host of  "RadioNation" heard on Air America Radio and syndicated to non-commercial affiliates nationwide.

She is the author most recently, of Blue Grit: True Democrats Take Back Politics from the Politicians (The Penguin Press, 2007) and also BUSHWOMEN: Tales of a Cynical Species (Verso, 2004), an investigation into the women in George W. Bush's Cabinet. Publisher's Weekly called Flanders' New York Times best-seller, "fierce, funny and intelligent."

The W Effect: Sexual Politics in the Age of Bush, an essay collection compiled by Flanders, appeared in June, 2004 from the Feminist Press.

Before joining Air America when it launched in March 2004, Laura hosted the award-winning " Your Call," Monday-Friday, on public radio, KALW, 91.7 fm in San Francisco.

Flanders' TV appearances include "Lou Dobbs Tonight" and "Paula Zahn Now"  as well as "The O'Reilly Factor," and "Hannity and Colmes," "Washington Journal," "Donahue," "Good Morning America" and the CBC news discussion program, "CounterSpin."

Her writing appears in The Nation, Alternet, Ms. Magazine,  and elsewhere and her op-ed pieces have appeared in papers including The San Francisco Chronicle.

Flanders was founding director of the Women's Desk at the media watch group, FAIR and for more than ten years she produced and hosted CounterSpin, FAIR's nationally-syndicated radio program.

Shie is also the author of Real Majority, Media Minority; the Cost of Sidelining Women in Reporting (Common Courage Press, 1997) about which Susan Faludi wrote, "If only there were a hundred of her." Katha Pollitt called it "Funny, angry, factfilled and brilliant."

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