Dear Sartre,

Thank you for refusing the Nobel Prize for Literature in 1964, athough, I must say, Harold Pinter made spectacular use of its pulpit by hurling an uncompromising indictment against the Axis of Good.

While the assault on Iraq was disemembering a people and a country, Pinter noted in 2004 that in the collective culture of empire, “Nothing ever happens even as it’s happening.” Therefore, along the ecocidal and homicidal path of empire, the victims—the legions of unremembered dead—remain namelss and uncounted.

Pinter’s speech was a linguistic airstrike of explosive proportions, so the empire ignored it. “Nothing happened.”

Some of the picks since your refusal in 1964 have been good: the awards to Dario Fo and Gabriel Garcia Marquez spring to mind, but this year’s choice vindicates your reasons for refusing the honor. You said that cultural interchange between East and West must flow between people and cultures—not through institutions. You said that the awards of past prizes were not conferred equally on all ideologies and countries. You said that

A writer who adopts political, social, or literary positions must act only with the means that are his own – that is, the written word . . . all the honours he may receive expose his readers to a pressure I do not consider desirable.

In formulating your refusal, you may have recalled Ralph Waldo Emerson’s belief that ‘Nothing is at last sacred but the integrity of your own mind. ” Indeed, the Nobel committee chose you for “for [your] work, which, rich in ideas and filled with the spirit of freedom and the quest for truth, has exerted a far-reaching influence on our age.”

Our age, dear Sartre, is not an age basking in the warmth of freedom or journeying in the light of truth—even in spirit, as yours did, after the sobering carnage of WW II. This year’s Nobel Prize for Literature honors an age of intellectual dishonesty, dullness, and opportunism. Even a lethally bathetic intellectual age.

The Nobel Prize for Literature in 2015 goes to a “dissident” Belorussian scribbler who, in the post-communist era, has flattered smug imbeciles with tales of the new Evil Empire of Russia and of its bloodthirsty Tsar Vladimir the Terrible. She joins the canon—past and present– of cultural-imperialist, orientalists, sovietologists, russologists, sinologists, and sundry praise-singers of global racialized Western liberalism with historical and political bollocks that satiate the insatiable logophagia of the self-worshipping West, blood-spattered behind its cardboard shield of human rights.

This year’s prize is a cruel, almost witty inversion of all that you stood for and turns Hannah Arendt’s “banality of evil” into the evil of banality (there’s one who may have vitiated her prize with that phrase!). With this prize, your and Frantz Fanon’s slain “wretched of the earth,” are mocked by an insincerity calculated to elevate the murderers’ self-esteem, though at the Nobel committee “Nothing happened. Nothing ever happens. It’s not happening.”

Yours respectfully and most sincerely,

Luciana Bohne

Luciana Bohne is co-founder of Film Criticism, a journal of cinema studies, and teaches at Edinboro University in Pennsylvania. She can be reached at: lbohne@edinboro.edu


ZNetwork is funded solely through the generosity of its readers.

Donate
Donate
Leave A Reply

Subscribe

All the latest from Z, directly to your inbox.

Institute for Social and Cultural Communications, Inc. is a 501(c)3 non-profit.

Our EIN# is #22-2959506. Your donation is tax-deductible to the extent allowable by law.

We do not accept funding from advertising or corporate sponsors.  We rely on donors like you to do our work.

ZNetwork: Left News, Analysis, Vision & Strategy

Subscribe

All the latest from Z, directly to your inbox.

THE WIND CRIES FREEDOM

The Wind Cries Freedom, the new book from Z co-founder Michael Albert, is a sweeping oral history of a future American revolution.

Through thirty interconnected chapters, it draws out the strategies, failures, turning points, and hard-won wisdom of a movement that called itself the Revolutionary Participatory Society. These are not the polished memoirs of politicians: they are the unfiltered accounts of people who organized in neighborhoods, hospitals, universities, stadiums, courthouses, and places of worship, and kept a shared vision alive through cynicism and exhaustion.

The result is speculative political fiction that reads like history: messy, human, and quietly hopeful in the way that only real experience and long thought can produce.

Get your copy and peruse more features on the book’s website below.

“Read it, argue with it, but don’t look away. The future it recalls is one we must still fight to deserve.”

Yanis Varoufakis

“The most unusual and intriguing combination of prophecy, manifesto, and movement building manual that I have ever encountered.”

Bill Fletcher Junior

“This work fills a huge gap in our social movement literature.”

Cynthia Peters

This is your article this month.

We’re glad you keep coming back. If Z’s work has informed, challenged, or inspired you, that’s no accident: there are no paywalls, no ads, and no billionaire owners here, and there never will be. Independent media survives because readers choose to support it.

Billionaires fund their own media. We fund ours. Help us reach 1,000 sustaining donors:

Number of donors689
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Already a sustainer? Click here and we won’t ask again. Thank you!

Your reading count is stored only in your browser and is never sent to us.

Sound is muted by default.  Tap 🔊 for the full experience

CRITICAL ACTION

Critical Action is a longtime friend of Z and a music and storytelling project grounded in liberation, solidarity, and resistance to authoritarian power. Through music, narrative, and multimedia, the project engages the same political realities and movement traditions that guide and motivate Z’s work.

If this project resonates with you, you can learn more about it and find ways to support the work using the link below.

Independent media is not disappearing because the ideas are weak.

It is disappearing because platforms reward speed, outrage, and algorithmic visibility over thoughtful analysis.

More than 100,000 people read Z every month, free of paywalls, ads, and billionaire owners. It takes fewer than 1 in 100 of them to fund all of it: 1,000 donors who keep Z independent, for everyone, and build what comes next.

Number of donors689
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Subscribe

Join the Z Community – receive event invites, announcements, a Weekly Digest, and opportunities to engage.

Exit mobile version