Source: Counterpunch

Once class recedes and the professional class sets the agenda, politics changes character. It becomes a contest over symbols rather than substance, over the words we use and the images we project rather than the distribution of power and resources. This is the most visible fault to ordinary people, who can sense when a movement is more exercised about terminology than about whether they can pay for insulin.

I want to be careful here, because symbols matter and language has real effects. The mistake is not attending to them; it is letting them substitute for the material struggle that the tradition placed at the center. Harrington defined socialism as the democratization of economic decision making, the redistribution not merely of income but of control. Measured against that standard, a politics that wins a change in official vocabulary while ownership and investment remain untouched has won almost nothing.

This is a result that the powerful can live with comfortably, which is why the analysis of Chomsky and Herman in Manufacturing Consent is so pertinent. Their argument was that the media system filters public debate so that a narrow range of acceptable opinion gets aired while the fundamental questions of ownership and class are kept off the table. A left that pours its energy into symbolic contests does the filtering work for free, accepting a debate about representation precisely because that debate never threatens the distribution of property. The boardroom is entirely willing to update its language; what it will not do is surrender the decisions that Harrington said democracy must claim.

Here, a misreading of Antonio Gramsci has done real damage. Gramsci argued that the ruling class sustains its power not only by force but through cultural hegemony, its grip on the everyday ideas circulated through schools, media, and popular culture, and that the left must therefore wage a long war of position across these institutions. The insight was sound, but in the hands of the new new left it curdled into the belief that contesting the images in pop culture is itself the central struggle.

That is a diversion, not a strategy. The decisive question is not what is depicted in popular culture but who controls what is depicted, who owns the studios and platforms and sets the terms on which culture is made. To fight over the content of the images while leaving their ownership untouched is to mistake the screen for the projector. Gramsci wanted the working class to capture the means of cultural production, not merely to lobby for better representation within a system someone else still owns.

The symbolic turn also corrodes solidarity in a way the material struggle does not. A demand for higher wages or universal health care or the right to organize unites people across every line of identity, because the benefit is shared and concrete, and this is what solidarity means. A politics of symbol and recognition, by contrast, rests on status rather than solidarity. It sorts people into ever finer categories, each owed its particular acknowledgment, and ranks those categories by a moral hierarchy of grievance.

The trouble is that an agenda built on identity and status does not gather people; it divides them, and it alienates many whose support a majority would require. The worker who is told that his position in the hierarchy of privilege disqualifies his complaint, rather than that he shares an interest with workers unlike him, will not be recruited to the cause. He will be repelled by it, and he will remember the insult at the ballot box. Solidarity invites; status excludes.

Here the contrast with Jurgen Habermas is instructive. In his account of the public sphere, democratic legitimacy arises from reasoned argument among citizens about their common life, tested by better reasons. The symbolic politics of the new new left often inverts this, treating claims as expressions of identity that others are obliged to affirm rather than as arguments open to deliberation, and measuring progress by the policing of speech rather than the quality of collective reasoning.

The symbolic turn carries one further hazard: it is endlessly escalating and never satisfied. Material demands have natural stopping points, since a living wage or universal coverage can be defined, won, and consolidated. Symbolic demands have no such terminus, because the supply of language to revise and offense to police is inexhaustible. A politics built on this terrain is condemned to perpetual motion without arrival, and it generates the very factionalism it cannot resolve.

The deepest cost is that symbolic victory feels like progress while leaving the machinery of inequality running. A movement can celebrate a long string of such victories and find, at the end, that wages have stagnated, that the union is gone, that wealth has concentrated further, and that working people conclude the left has nothing to offer them but instruction in how to speak. Bernstein’s ethical socialism and Harrington’s economic democracy both demanded more: a real shift in who holds power. The symbolic turn offers the appearance of that shift while quietly conceding the thing itself.


This article was originally published by Counterpunch; please consider supporting the original publication, and read the original version at the link above.

David Schultz is a professor of political science at Hamline University. He is the author of Presidential Swing States: Why Only Ten Matter.


ZNetwork is funded solely through the generosity of its readers.

Donate
Donate
Leave A Reply

Subscribe

All the latest from Z, directly to your inbox.

Institute for Social and Cultural Communications, Inc. is a 501(c)3 non-profit.

Our EIN# is #22-2959506. Your donation is tax-deductible to the extent allowable by law.

We do not accept funding from advertising or corporate sponsors.  We rely on donors like you to do our work.

ZNetwork: Left News, Analysis, Vision & Strategy

THE WIND CRIES FREEDOM

The Wind Cries Freedom, the new book from Z co-founder Michael Albert, is a sweeping oral history of a future American revolution.

Through thirty interconnected chapters, it draws out the strategies, failures, turning points, and hard-won wisdom of a movement that called itself the Revolutionary Participatory Society. These are not the polished memoirs of politicians: they are the unfiltered accounts of people who organized in neighborhoods, hospitals, universities, stadiums, courthouses, and places of worship, and kept a shared vision alive through cynicism and exhaustion.

The result is speculative political fiction that reads like history: messy, human, and quietly hopeful in the way that only real experience and long thought can produce.

Get your copy and peruse more features on the book’s website below.

“Read it, argue with it, but don’t look away. The future it recalls is one we must still fight to deserve.”

Yanis Varoufakis

“The most unusual and intriguing combination of prophecy, manifesto, and movement building manual that I have ever encountered.”

Bill Fletcher Junior

“This work fills a huge gap in our social movement literature.”

Cynthia Peters

Subscribe

All the latest from Z, directly to your inbox.

This is your article this month.

We’re glad you keep coming back. If Z’s work has informed, challenged, or inspired you, that’s no accident: there are no paywalls, no ads, and no billionaire owners here, and there never will be. Independent media survives because readers choose to support it.

Billionaires fund their own media. We fund ours. Help us reach 1,000 sustaining donors:

Number of donors693
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Already a sustainer? Click here and we won’t ask again. Thank you!

Your reading count is stored only in your browser and is never sent to us.

Sound is muted by default.  Tap 🔊 for the full experience

CRITICAL ACTION

Critical Action is a longtime friend of Z and a music and storytelling project grounded in liberation, solidarity, and resistance to authoritarian power. Through music, narrative, and multimedia, the project engages the same political realities and movement traditions that guide and motivate Z’s work.

If this project resonates with you, you can learn more about it and find ways to support the work using the link below.

Independent media is not disappearing because the ideas are weak.

It is disappearing because platforms reward speed, outrage, and algorithmic visibility over thoughtful analysis.

More than 100,000 people read Z every month, free of paywalls, ads, and billionaire owners. It takes fewer than 1 in 100 of them to fund all of it: 1,000 donors who keep Z independent, for everyone, and build what comes next.

Number of donors693
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Subscribe

Join the Z Community – receive event invites, announcements, a Weekly Digest, and opportunities to engage.

OUT NOW: "The Wind Cries Freedom" by Michael Albert

Exit mobile version