Although I do not believe that awards are a measure of the work we do, I would like to add the National Award for the Best Screenplay that I won in 1989 to the growing pile of returned awards. Also, I want to make it clear that I am not returning this award because I am “shocked” by what is being called the “growing intolerance” being fostered by the present government.

First of all, “intolerance” is the wrong word to use for the lynching, shooting, burning, and mass murder of fellow human beings. Second, we had plenty of advance notice of what lay in store for us — so I cannot claim to be shocked by what has happened after this government was enthusiastically voted into office with an overwhelming majority*. Third, these horrific murders are only a symptom of a deeper malaise. Life is hell for the living too. Whole populations — millions of Dalits, Adivasis, Muslims, and Christians — are being forced to live in terror, unsure of when and from where the assault will come.

Today we live in a country in which, when the thugs and apparatchiks of the New Order talk of “illegal slaughter” they mean the imaginary cow that was killed — not the real man that was murdered. When they talk of taking “evidence for forensic examination” from the scene of the crime, they mean the food in the fridge, not the body of the lynched man.

We say we have “progressed” — but when Dalits are butchered and their children burned alive, which writer today can freely say, like Babasaheb Ambedkar once did, that “To the Untouchables, Hinduism is a veritable chamber of horrors,” without getting attacked, lynched, shot, or jailed? Which writer can write what Saadat Hassan Manto wrote in his “Letter to Uncle Sam”?

It doesn’t matter whether we agree or disagree with what is being said. If we do not have the right to speak freely we will turn into a society that suffers from intellectual malnutrition, a nation of fools. Across the subcontinent it has become a race to the bottom — one that the New India has enthusiastically joined. Here too now, censorship has been outsourced to the mob.

I am very pleased to have found (from somewhere way back in my past) a National Award that I can return, because it allows me to be a part of a political movement initiated by writers, filmmakers, and academics in this country who have risen up against a kind of ideological viciousness and an assault on our collective IQ that will tear us apart and bury us very deep if we do not stand up to it now.

I believe what artists and intellectuals are doing right now is unprecedented and does not have a historical parallel. It is politics by other means. I am so proud to be part of it. And so ashamed of what is going on in this country today.


*For the record, I turned down the Sahitya Akademi Award in 2005 when the Congress was in power. So please spare me that old Congress vs BJP debate. It’s gone way beyond all that. Thanks.


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Arundhati Roy (born November 24, 1961) is an Indian novelist, activist and a world citizen. She won the Booker Prize in 1997 for her first novel The God of Small Things. Roy was born in Shillong, Meghalaya to a Keralite Syrian Christian mother and a Bengali Hindu father, a tea planter by profession. She spent her childhood in Aymanam, in Kerala, schooling in Corpus Christi. She left Kerala for Delhi at age 16, and embarked on a homeless lifestyle, staying in a small hut with a tin roof within the walls of Delhi's Feroz Shah Kotla and making a living selling empty bottles. She then proceeded to study architecture at the Delhi School of Architecture, where she met her first husband, the architect Gerard Da Cunha.The God of Small Things is the only novel written by Roy. Since winning the Booker Prize, she has concentrated her writing on political issues. These include the Narmada Dam project, India's Nuclear Weapons, corrupt power company Enron's activities in India. She is a figure-head of the anti-globalization/alter-globalization movement and a vehement critic of neo-imperialism.In response to India's testing of nuclear weapons in Pokhran, Rajasthan, Roy wrote The End of Imagination, a critique of the Indian government's nuclear policies. It was published in her collection The Cost of Living, in which she also crusaded against India's massive hydroelectric dam projects in the central and western states of Maharashtra, Madhya Pradesh and Gujarat. She has since devoted herself solely to nonfiction and politics, publishing two more collections of essays as well as working for social causes.Roy was awarded the Sydney Peace Prize in May 2004 for her work in social campaigns and advocacy of non-violence.In June 2005 she took part in the World Tribunal on Iraq. In January 2006 she was awarded the Sahitya Akademi award for her collection of essays, 'The Algebra of Infinite Justice', but declined to accept it.

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