Editor’s note: This analysis is a followup to Lakoff’s previous piece, Understanding Trump, www.georgelakoff.com/blog.

Responsible reporters in the media normally transcribe political speeches so that they can accurately report them. But Donald Trump’s discourse style has stumped a number of reporters. Dan Libit, CNBC’s excellent analyst, is one of them. Libit writes, “His unscripted speaking style, with its spasmodic, self-interrupting sentence structure, has increasingly come to overwhelm the human brains and tape recorders attempting to quote him.”

Trump is, simply put, a transcriptionist’s worst nightmare: severely unintelligible, yet incredibly important to understand.

Given how dramatically recent polls have turned on his controversial public utterances, it is not hyperbolic to say that the very fate of the nation appears destined to come down to one man’s application of the English language, and the public’s comprehension of it. It has turned the rote job of transcribing into a high-stakes calling.

Trump’s crimes against clarity are multifarious: He often speaks in long, run-on sentences, with frequent asides. He pauses after subordinate clauses. He frequently quotes people saying things that aren’t actual quotes. And he repeats words and phrases, sometimes with slight variations, in the same sentence.

Some in the media (Washington Post,Salon, Slate, Think Progress, etc.) have called Trump’s speeches “word salad.” Some commentators have even attributed his language use to “early Alzheimer’s,” citing “erratic behavior” and “little regards for social conventions.”

I don’t believe it.

I have been repeatedly asked in media interviews about Trumps use of language. So far as I can tell, he is simply using effective discourse mechanisms to communicate what he wants to communicate to his audience. I have found that he is very careful and very strategic in his use of language. The only way I know to show this is to function as a linguist and cognitive scientist and go through details.

Let’s start with sentence fragments. It is common and natural in New York discourse for friends to finish one another’s sentences. And throughout the country, if you don’t actually say the rest of a friend’s sentence out loud, there is nevertheless a point at which you can finish it in your head. When this happens in cooperative discourse, it can show empathy and intimacy with a friend, that you know the context of the narrative, and that you understand and accept your friend’s framing of the situation so well you can even finish what they have started to say. Of course, you can be bored with, or antagonistic to someone and be able to finish their sentences with anything but a feeling of empathy and intimacy. But Trump prefers to talk to a friendly crowd.

Trump often starts a sentence and leaves off where his followers can finish in their minds what he has started to say. That is, they commonly feel empathy and intimacy, an acceptance of what is being said, and good feeling toward the speaker. This is an unconscious, automatic reaction, especially when words are flying by quickly. It is a means for Trump to connect with his audience.

The Second Amendment Incident

Here is the classic case, the Second Amendment Incident. The thing to be aware of is that his words are carefully chosen. They go by quickly when people hear them. But they are processed unconsciously first by neural circuitry—and neurons operate on a thousandth-of-a-second time scale. Your neural circuitry has plenty of time to engage in complex forms of understanding, based on what you already know.

Trump begins by saying, “Hillary wants to abolish, essentially abolish the Second Amendment.” He first just says “abolish,” and then hedges by adding “essentially abolish.” But having said “abolish” twice, he has gotten across the message that she wants to, and is able to change the Constitution in that way.


ZNetwork is funded solely through the generosity of its readers.

Donate
Donate
Leave A Reply

Subscribe

All the latest from Z, directly to your inbox.

Institute for Social and Cultural Communications, Inc. is a 501(c)3 non-profit.

Our EIN# is #22-2959506. Your donation is tax-deductible to the extent allowable by law.

We do not accept funding from advertising or corporate sponsors.  We rely on donors like you to do our work.

ZNetwork: Left News, Analysis, Vision & Strategy

Subscribe

All the latest from Z, directly to your inbox.

THE WIND CRIES FREEDOM

The Wind Cries Freedom, the new book from Z co-founder Michael Albert, is a sweeping oral history of a future American revolution.

Through thirty interconnected chapters, it draws out the strategies, failures, turning points, and hard-won wisdom of a movement that called itself the Revolutionary Participatory Society. These are not the polished memoirs of politicians: they are the unfiltered accounts of people who organized in neighborhoods, hospitals, universities, stadiums, courthouses, and places of worship, and kept a shared vision alive through cynicism and exhaustion.

The result is speculative political fiction that reads like history: messy, human, and quietly hopeful in the way that only real experience and long thought can produce.

Get your copy and peruse more features on the book’s website below.

“Read it, argue with it, but don’t look away. The future it recalls is one we must still fight to deserve.”

Yanis Varoufakis

“The most unusual and intriguing combination of prophecy, manifesto, and movement building manual that I have ever encountered.”

Bill Fletcher Junior

“This work fills a huge gap in our social movement literature.”

Cynthia Peters

This is your article this month.

We’re glad you keep coming back. If Z’s work has informed, challenged, or inspired you, that’s no accident: there are no paywalls, no ads, and no billionaire owners here, and there never will be. Independent media survives because readers choose to support it.

Billionaires fund their own media. We fund ours. Help us reach 1,000 sustaining donors:

Number of donors689
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Already a sustainer? Click here and we won’t ask again. Thank you!

Your reading count is stored only in your browser and is never sent to us.

Sound is muted by default.  Tap 🔊 for the full experience

CRITICAL ACTION

Critical Action is a longtime friend of Z and a music and storytelling project grounded in liberation, solidarity, and resistance to authoritarian power. Through music, narrative, and multimedia, the project engages the same political realities and movement traditions that guide and motivate Z’s work.

If this project resonates with you, you can learn more about it and find ways to support the work using the link below.

Independent media is not disappearing because the ideas are weak.

It is disappearing because platforms reward speed, outrage, and algorithmic visibility over thoughtful analysis.

More than 100,000 people read Z every month, free of paywalls, ads, and billionaire owners. It takes fewer than 1 in 100 of them to fund all of it: 1,000 donors who keep Z independent, for everyone, and build what comes next.

Number of donors689
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Subscribe

Join the Z Community – receive event invites, announcements, a Weekly Digest, and opportunities to engage.

Exit mobile version