1. Can you tell ZNet, please, what your book CRUDE: THE STORY OF OIL is about? What is it trying to communicate?

CRUDE is what I’d call a critical popular-science book: it describes the science, technology, and politics behind how oil is formed, how we found it and how we started consuming it 10,000 times faster than it could ever accumulate again. What’s so amazing about this stuff? Where does it come from? Why did we consume it the way we did? How did the world get divided into the power-full, the power-less, and the power-hungry? These are some of the questions the book answers, in a readable text using lots of stories about real people, from top petroleum scientists to impassioned anti-oil activists.

2.  Can you tell ZNet something about writing the book? Where does the content come from? What went into making the book what it is?

To research this book, I immersed myself in the oil industry for over a year, reading their trade magazines, attending their conferences, and interviewing their top leaders. I met and spoke with offshore oil workers and anti-oil activists.

It was a disturbing experience, in many ways. The oil industry is as macho and male-dominated as the stereotype about it suggests. They talk about pushing oil consumption in Asia as if this were the solution-the sole solution-to poverty. They blame impoverished Asian women, not Western SUV drivers and oil companies, for global warming. As an Asian American feminist, I found many of their attitudes incredibly distasteful.

And yet, this is an industry that is profoundly certain of itself-certain that it will overcome any challengers, that it is doing the right thing, and that the world needs it and will need it for decades to come. The contrast between the left’s blueprints for sustainable development and energy use, ramping up things like hydrogen, solar power, and wind energy, and the billions of dollars the oil industry has already invested in an oil-coddled future is stark, to say the least. 

3. What are your hopes for CRUDE? What do you hope it will contribute or achieve politically? Given the effort and aspirations you have for the book, what will you deem to be a success? What would leave you happy about the whole undertaking? What would leave you wondering if it was worth all the time and effort?

My hopes are the same as any author: I want people to read the book! And tell me what they think. And talk about it with their friends.

My main message is about the cost of our energy consumption, and about how profoundly our society must change. Energy-efficient SUVs just won’t cut it.

We in the West feel like cars and abundant electricity are our birthrights. That isn’t true for the vast majority of the world. And yet, the way we live has been structured around intense energy consumption, and I agree that it is difficult, today, to opt out. How do we get to work without a car? How do we feed our families without electrical appliances? Personally I’ve only figured out partially satisfying answers to these questions. What we must do, eventually, is build whole new ways of living. But it won’t happen unless the power of Big Oil is significantly sapped first.

I’ll be talking more about this book at bookstores and universities in October in Los Angeles; San Francisco; Seattle; La Crosse, WI; Houston; Austin; Boston; Amherst; New York and Washington, DC. Please come! For more information about Crude: The Story of Oil, please see http://www.sevenstories.com/ or email me at soniashah@igc.org

 


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From my grandmother's second-floor back porch in dusty Coimbatore, I could see the villagers squatting on the crest of the hill, their naked bums neatly lined in a row for the daily purge. At age seven, this was a mesmerizing sight. I gained a reputation for dreaminess, for nobody knew what I was really looking at, resting my head on my arms and staring off into the distance for hours at a time. Up north, at my father's mother's tenement flat in Mumbai, there were toilets to use, but these were located at the end of the open-air hallway, next to the wet, reeking terrace where the building's servants sloshed water on dal-spattered steel plates. The doors to the stalls were covered in a living carpet of brown and green. I avoided them as much as possible, resulting in daily stomach-aches, to be soothed with neem oil. To indulge me, I was sometimes allowed to shit on newspapers in the bedroom, which were then wrapped up and tossed out the window into the alley.
People, I knew, slept in the alley. I had stumbled across a child down there, once. The bottom half of his leg was greyed and pimpled, bloated into a fat cylinder by filarial worms. His toenails stuck out from under the heavy folds and flaps, tiny shards.

As an American-born child, sent to stay with relatives in India every summer, all of this was shocking, and fascinating. Back at home, wads of gossamer-thin, perfumed paper tissue, imprinted with lacy designs, were used to cushion each tiny smear of snot as it swirled down the commode's shiny porcelain. Here, people cleared their nasal passages directly into a stinking gutter. All of this-the poverty, the disease, the disparity-must be related, I thought. For a seven-year-old, every mysterious thing in the world is secretly connected. Growing up meant figuring out how. - Sonia Shah, February 2006

Sonia Shah is an investigative journalist and critically acclaimed author whose writing has appeared in The Washington Post, The Boston Globe, New Scientist, The Nation and elsewhere. Her 2006 drug industry exposé, The Body Hunters: Testing New Drugs on the World's Poorest Patients (New Press), has been hailed by Publishers Weekly as "a tautly argued study…a trenchant exposé…meticulously researched and packed with documentary evidence," and as "important [and] powerful" by The New England Journal of Medicine. The book, which international bestselling novelist and The Constant Gardener author John Le Carré called "an act of courage," has enjoyed wide international distribution, including French, Japanese, and Italian editions.

Her 2004 book, Crude: The Story of Oil (Seven Stories), was acclaimed as "brilliant" and "beautifully written" by The Guardian and "required reading" by The Nation, and has been widely translated, from Japanese, Greek, and Italian to Bahasa Indonesia. Her "raw and powerful" (Amazon.com) 1997 collection, Dragon Ladies: Asian American Feminists Breathe Fire, still in print after 10 years, continues to be required reading at colleges and universities across the country.

Shah's writing, based on original reportage from around the world, from India and South Africa to Panama, Malawi, Cameroon, and Australia, has been featured on current affairs shows around the United States, as well as on the BBC and Australia's Radio National. A frequent keynote speaker at political conferences, Shah has lectured at universities and colleges across the country, including Columbia's Earth Institute, MIT, Harvard, Brown, Georgetown and elsewhere. Her writing on human rights, medicine, and politics have appeared in a range of magazines from Playboy, Salon, and Orion to The Progressive and Knight-Ridder. Her television appearances include A&E and the BBC, and she's consulted on many documentary film projects, from the ABC to Channel 4 in the UK. A former writing fellow of The Nation Institute and the Puffin Foundation, Shah is currently writing a book on the history and politics of malaria for Farrar, Straus & Giroux.

Shah was born in 1969 in New York City to Indian immigrants. Growing up, she shuttled between the northeastern United States where her parents practiced medicine and Mumbai and Bangalore, India, where her extended working-class family lived, developing a life-long interest in inequality between and within societies. She holds a BA in journalism, philosophy, and neuroscience from Oberlin College, and lives with molecular ecologist Mark Bulmer and their two sons Zakir and Kush.



 

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