Source: Originally published by Z. Feel free to share widely.

The future tapped me quietly on the shoulder the other day and suggested that I take a moment to learn about the writing bots.

They’re coming!

Excuse me, they’re here. And they struck me as alien invaders, this recent manifestation of artificial intelligence on the Internet, which college students, high school students — anybody–can download, feed a topic and get it to write an essay for them. Is this technology’s next step, after Roomba the robot vacuum cleaner? Humanity is relieved of one more odious task — writing stuff.

“The chatbot,” Kalley Huang pointed out recently in the New York Times, “generates eerily articulate and nuanced text in response to short prompts, with people using it to write love letters, poetry, fan fiction — and their schoolwork.”

Apparently, all you need to do to get the AI bot to produce a piece of prose (or poetry?) is give it a subject and whatever other information is necessary to define the topic you want it to blather about. It can then access the entire Internet for its data and produce whatever — your English paper, your love sonnet. The possibility of student cheating has suddenly become dire enough that college professors are starting to rethink their writing assignments.

I have some advice for them. But before I get to that, I need to calm my own pounding heart. Writing — to me, as a lifelong journalist, essayist, poet, editor, writing teacher — can be difficult as hell, but every hour devoted to a project is a wondrous adventure, a reach into the great unknown, a journey of discovery, of learning, of becoming. I have described the columns I write as “prayers disguised as op-eds,” and it’s that word, prayer, that swelled and started palpitating as I stumbled on the existence of the writing bot. Should we let AI start writing our prayers? Should we shrug and simply stop being our fullest selves?

Life is messy and writing is messy … it has to be. Truth is messy. If we turn the writing process over to the AI bots, my existential fear is that humanity has taken a step toward ending its evolution, ensconcing itself in a prison of conveniences.

“Due to its free nature and ability to write human-like essays on almost any topic, many students have been reaching for this model for their university assignments,” according to the website pcguide, focusing its attention on an AI bot called Chat GPT, which recently proved smart enough to pass a law bar exam. “And if you are a student hoping to use this in the future, you may have concerns about whether your university can detect Chat GPT.”

These words start to get at my primary concern about the whole phenomenon: Critics are missing the point, as they lament that the university’s grading system is under assault. OMG, has cheating gotten easier?

And suddenly it gets clear. When it comes to writing, there’s always been a gaping hole in the American educational system, a mainstream misunderstanding of the nature — the value — of actually learning to write . . . finding your words, finding your wisdom, finding your voice.

Let me repeat: Finding your voice.

That’s where it starts. Without it, what do you have? I fear this is a silent question that plagues way too many students — way too many people of all ages — who were taught, or force-fed, spelling and grammar and the yada yada of thematic construction: opening paragraph, whatever, conclusion.

I quote my mentor and long-time friend, the late Ken Macrorie, one of the teachers who bucked this system oh so many decades ago, when I was an undergraduate at Western Michigan University. He was a professor in the English Department:

“This dehydrated manner of producing writing that is never read is the contribution of the English teacher to the total university,” he wrote in his 1970 book, Uptaught.

He was writing about his own career. He was trapped in a system that disdained most undergrads and their writing and often managed to force the worst out of them, a.k.a., academic writing, such as: “I consider experience to be an important part in the process of learning. For example, in the case of an athlete, experience plays an important role.”

Dead language! May it rest in peace. Artificial intelligence can no doubt do just as well, probably a lot better. Macrorie quoted this oh so typical example in his book — the kind of writing that is devoid of not only meaning but soul. His breakthrough discovery was what he called free writing: He had his students, on a regular basis, sit down and write for 20 minutes or longer without stopping — just let the words flow, let fragments of truth emerge, and share what you have written. Worry later about spelling, grammar and such. First you have to find your voice.

I wound up taking his Advanced Writing class in 1966, two years after he began using free writing as his starting place. Wow. I found my way in . . . into my own soul. I learned that truth is not sheerly an external entity, to be found in some important book. We all have it within us. Doing a “free write” is a means of panning for gold.

And this is the context in which I ponder this recent bit of techno-news: that students don’t have to rely on plagiarism to fake an essay. They can simply prompt a bot and let it do the work.

But that’s not the essence of our social dilemma. As long as the system — let’s call it artificial education — focuses on “teaching to the test” and insists on reducing individual intelligence to a number, and in so many ways ignores and belittles the complex and awakening potential of each student, we have a problem. AI isn’t the cause, but it helps expose it.

Robert Koehler is an award-winning, Chicago-based journalist and nationally syndicated writer. Koehler has been the recipient of multiple awards for writing and journalism from organizations including the National Newspaper Association, Suburban Newspapers of America, and the Chicago Headline Club.


ZNetwork is funded solely through the generosity of its readers.

Donate
Donate
Leave A Reply

Subscribe

All the latest from Z, directly to your inbox.

Institute for Social and Cultural Communications, Inc. is a 501(c)3 non-profit.

Our EIN# is #22-2959506. Your donation is tax-deductible to the extent allowable by law.

We do not accept funding from advertising or corporate sponsors.  We rely on donors like you to do our work.

ZNetwork: Left News, Analysis, Vision & Strategy

Subscribe

All the latest from Z, directly to your inbox.

THE WIND CRIES FREEDOM

The Wind Cries Freedom, the new book from Z co-founder Michael Albert, is a sweeping oral history of a future American revolution.

Through thirty interconnected chapters, it draws out the strategies, failures, turning points, and hard-won wisdom of a movement that called itself the Revolutionary Participatory Society. These are not the polished memoirs of politicians: they are the unfiltered accounts of people who organized in neighborhoods, hospitals, universities, stadiums, courthouses, and places of worship, and kept a shared vision alive through cynicism and exhaustion.

The result is speculative political fiction that reads like history: messy, human, and quietly hopeful in the way that only real experience and long thought can produce.

Get your copy and peruse more features on the book’s website below.

“Read it, argue with it, but don’t look away. The future it recalls is one we must still fight to deserve.”

Yanis Varoufakis

“The most unusual and intriguing combination of prophecy, manifesto, and movement building manual that I have ever encountered.”

Bill Fletcher Junior

“This work fills a huge gap in our social movement literature.”

Cynthia Peters

You've just read your article on Z this month.

DOES Z'S SURVIVAL MATTER?

You keep coming back for a reason: serious political analysis, movement reporting, and debate beyond the priorities of corporate media. Today, Z is in a precarious financial position. If Z is part of how you understand the world, help keep it going. The readers who give monthly are the reason this work survives between fundraisers.

Z is in a precarious financial position. If it’s part of how you understand the world, help keep it going.

Number of donors707
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Already a sustainer? Click here and we won’t ask again. Thank you!

Your reading count is stored only in your browser and is never sent to us.

Sound is muted by default.  Tap 🔊 for the full experience

CRITICAL ACTION

Critical Action is a longtime friend of Z and a music and storytelling project grounded in liberation, solidarity, and resistance to authoritarian power. Through music, narrative, and multimedia, the project engages the same political realities and movement traditions that guide and motivate Z’s work.

If this project resonates with you, you can learn more about it and find ways to support the work using the link below.

Z is in the most precarious financial position in its history.

Z is a place to think beyond the limits of the present.

For decades, Z has brought together political analysis, movement reporting, debate, and visions of a different future from writers and activists around the world. That work is more than journalism. It is movement infrastructure: movements need places to develop ideas, test arguments, learn from experience, and imagine what comes next.

In the first two days of this fundraiser, 19 donors and 8 new monthly sustainers stepped up. Help us reach 1,000 donors who keep Z independent, for everyone.

For decades, Z has published the analysis, debate, and visions movements need, free of paywalls, ads, and billionaire owners. If that work should continue, Z needs your support now.

Number of donors707
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Subscribe

Join the Z Community – receive event invites, announcements, a Weekly Digest, and opportunities to engage.

Exit mobile version