A film by Micki Dickoff & Tony Pagano


Emmy award-winning filmmaker Micki Dickoff was 17 in 1964, the year Freedom Summer sent people south to register African American voters. "I wanted to go but my father wouldn’t let me," Dickoff told a packed audience at the New York premiere of NESHOBA, a gripping 90-minute documentary about the murders of civil rights activists James Chaney, Andrew Goodman, and Michael Schwerner in Neshoba County, Mississippi. "When the three boys were killed it haunted me."

Years later, Dickoff continued to think about the incident. Specifically, she wondered if Neshoba County had come to terms with its racist past, or if the area remained as racially segregated as it had been during the first half of the 20th century. Teaming up with award-winning filmmaker Tony Pagano, the pair spent four-and-a-half years probing for answers, along the way interviewing Mississippians of all political leanings and backgrounds.

The result, NESHOBA, zooms in on Neshoba Country and provides a detailed history of the area and residents’ reactions to racial shifts. At the same time, it addresses the ways local police and the Ku Klux Klan worked in tandem with the FBI and Department of Justice to preserve a white-dominated status quo in the murders’ aftermath. Dick Molpus, a pro-civil rights activist, sums it up: "For 40 years our state judicial system has allowed murderers to roam our land."

Key leaders in 1960s politics—from Mississippi Senator James Eastland, the pro-segregation chair of the powerful Senate Judiciary Committee, to the state’s overtly-racist governor, Ross Barnett, to local civil rights champions—are introduced using archival footage. In addition, surviving members of the Chaney, Goodman, and Schwerner families—recently interviewed parents and siblings—offer compelling insights about their kin, humanizing them and fueling our understanding of their commitment to equality.

The voices of countless Neshoba natives add to the mix, exemplifying both racial progress and resistance to integration. Some, like Deborah Posey and Jewel McDonald, one white, one Black, are members of the Philadelphia Coalition, a multiracial organization seeking racial reconciliation. NESHOBA recognizes the Coalition’s push to uncover what really happened, organizing that led the County district attorney and Mississippi attorney general to re-investigate and charge Edgar Ray Killen.

While Killen comes across as an old-school bigot who makes repeated quips about commie-Jewish-Christ killers, the film nonetheless presents him as a scapegoat. The point is simple: Killen did not act alone. More than 20 Klansmen were rumored to have taken part in the killings, and while some were indicted by the federal government in 1967, only seven served minimal prison time. What actually happened on the farm where the bodies were found six weeks after they disappeared remains buried. Justice, Pagano and Dickoff argue, demands that all involved have their day in court and tell the world what actually transpired.

Dickoff believes that justice requires a reckoning with racism’s legacy: "With a Black man running for president—unthinkable 40 years ago—our film serves as a reminder of how far we’ve come in race relations and how far we need to go."

Z


Eleanor J. Bader is a teacher, writer and activist from Brooklyn, NY.  For information about NESHOBA, contact neshobafilm@yahoo.com.

Eleanor J. Bader is a Brooklyn, New York-based freelance writer who focuses on domestic social issues and resistance movements.

Donate
Leave A Reply

Subscribe

All the latest from Z, directly to your inbox.

Institute for Social and Cultural Communications, Inc. is a 501(c)3 non-profit.

Our EIN# is #22-2959506. Your donation is tax-deductible to the extent allowable by law.

We do not accept funding from advertising or corporate sponsors.  We rely on donors like you to do our work.

ZNetwork: Left News, Analysis, Vision & Strategy

Subscribe

All the latest from Z, directly to your inbox.

THE WIND CRIES FREEDOM

The Wind Cries Freedom, the new book from Z co-founder Michael Albert, is a sweeping oral history of a future American revolution.

Through thirty interconnected chapters, it draws out the strategies, failures, turning points, and hard-won wisdom of a movement that called itself the Revolutionary Participatory Society. These are not the polished memoirs of politicians: they are the unfiltered accounts of people who organized in neighborhoods, hospitals, universities, stadiums, courthouses, and places of worship, and kept a shared vision alive through cynicism and exhaustion.

The result is speculative political fiction that reads like history: messy, human, and quietly hopeful in the way that only real experience and long thought can produce.

Get your copy and peruse more features on the book’s website below.

“Read it, argue with it, but don’t look away. The future it recalls is one we must still fight to deserve.”

Yanis Varoufakis

“The most unusual and intriguing combination of prophecy, manifesto, and movement building manual that I have ever encountered.”

Bill Fletcher Junior

“This work fills a huge gap in our social movement literature.”

Cynthia Peters

This is your article this month.

We’re glad you keep coming back. If Z’s work has informed, challenged, or inspired you, that’s no accident: there are no paywalls, no ads, and no billionaire owners here, and there never will be. Independent media survives because readers choose to support it.

Billionaires fund their own media. We fund ours. Help us reach 1,000 sustaining donors:

Number of donors689
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Already a sustainer? Click here and we won’t ask again. Thank you!

Your reading count is stored only in your browser and is never sent to us.

Sound is muted by default.  Tap 🔊 for the full experience

CRITICAL ACTION

Critical Action is a longtime friend of Z and a music and storytelling project grounded in liberation, solidarity, and resistance to authoritarian power. Through music, narrative, and multimedia, the project engages the same political realities and movement traditions that guide and motivate Z’s work.

If this project resonates with you, you can learn more about it and find ways to support the work using the link below.

Independent media is not disappearing because the ideas are weak.

It is disappearing because platforms reward speed, outrage, and algorithmic visibility over thoughtful analysis.

More than 100,000 people read Z every month, free of paywalls, ads, and billionaire owners. It takes fewer than 1 in 100 of them to fund all of it: 1,000 donors who keep Z independent, for everyone, and build what comes next.

Number of donors689
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Subscribe

Join the Z Community – receive event invites, announcements, a Weekly Digest, and opportunities to engage.

Exit mobile version