The United States began its war in Afghanistan 88 months ago. "The war on terror" has no sunset clause. As a perpetual emotion machine, it offers to avenge what can never heal and to fix grief that is irreparable.

For the crimes against humanity committed on Sept. 11, 2001, countless others are to follow, with huge conceits about technological "sophistication" and moral superiority. But if we scrape away the concrete of media truisms, we may reach substrata where some poets have dug.

W.H. Auden: "Those to whom evil is done / Do evil in return."

Stanley Kunitz: "In a murderous time / the heart breaks and breaks / and lives by breaking."

And from 1965, when another faraway war got its jolt of righteous escalation from Washington’s certainty, Richard Farina wrote: "And death will be our darling and fear will be our name." Then as now came the lessons that taught with unfathomable violence once and for all that unauthorized violence must be crushed by superior violence.

The U.S. war effort in Afghanistan owes itself to the enduring "war on terrorism," chasing a holy grail of victory that can never be.

Early into the second year of the Afghanistan war, in November 2002, a retired U.S. Army general, William Odom, appeared on C-SPAN’s "Washington Journal" program and told viewers: "Terrorism is not an enemy. It cannot be defeated. It’s a tactic. It’s about as sensible to say we declare war on night attacks and expect we’re going to win that war. We’re not going to win the war on terrorism."

But the "war on terrorism" rubric — increasingly shortened to the even vaguer "war on terror" — kept holding enormous promise for a warfare state of mind. Early on, the writer Joan Didion saw the blotting of the horizon and said so: "We had seen, most importantly, the insistent use of Sept. 11 to justify the reconception of America’s correct role in the world as one of initiating and waging virtually perpetual war."

There, in one sentence, an essayist and novelist had captured the essence of a historical moment that vast numbers of journalists had refused to recognize — or, at least, had refused to publicly acknowledge. Didion put to shame the array of self-important and widely lauded journalists at the likes of the New York Times, the Washington Post, PBS and National Public Radio.

The new U.S. "war on terror" was rhetorically bent on dismissing the concept of peacetime as a fatuous mirage.

Now, in early 2009, we’re entering what could be called Endless War 2.0, while the new president’s escalation of warfare in Afghanistan makes the rounds of the media trade shows, preening the newest applications of technological might and domestic political acquiescence.

And now, although repression of open debate has greatly dissipated since the first months after 9/11, the narrow range of political discourse on Afghanistan is essential to the Obama administration’s reported plan to double U.S. troop deployments in that country within a year.

"This war, if it proliferates over the next decade, could prove worse in one respect than any conflict we have yet experienced," Norman Mailer wrote in his book "Why Are We at War?" six years ago. "It is that we will never know just what we are fighting for. It is not enough to say we are against terrorism. Of course we are. In America, who is not? But terrorism compared to more conventional kinds of war is formless, and it is hard to feel righteous when in combat with a void…"

Anticipating futility and destruction that would be enormous and endless, Mailer told an interviewer in late 2002: "This war is so unbalanced in so many ways, so much power on one side, so much true hatred on the other, so much technology for us, so much potential terrorism on the other, that the damages cannot be estimated. It is bad to enter a war that offers no clear avenue to conclusion. … There will always be someone left to act as a terrorist."

And there will always be plenty of rationales for continuing to send out the patrols and launch the missiles and drop the bombs in Afghanistan, just as there have been in Iraq, just has there were in Vietnam and Laos. Those countries, with very different histories, had the misfortune to share a singular enemy, the most powerful military force on the planet.

It may be profoundly true that we are not red states and blue states, that we are the United States of America — but what that really means is still very much up for grabs. Even the greatest rhetoric is just that. And while the clock ticks, the deployment orders are going through channels.

For anyone who believes that the war in Afghanistan makes sense, I recommend the Jan. 30 discussion on "Bill Moyers Journal" with historian Marilyn Young and former Pentagon official Pierre Sprey. A chilling antidote to illusions that fuel the war can be found in the transcript.

Now, on Capitol Hill and at the White House, convenience masquerades as realism about "the war on terror." Too big to fail. A beast too awesome and immortal not to feed.

And death will be our darling. And fear will be our name.


Norman Solomon is a journalist, historian, and progressive activist. His book "War Made Easy: How Presidents and Pundits Keep Spinning Us to Death" has been adapted into a documentary film of the same name. His most recent book is "Made Love, Got War." He is a national co-chair of the Healthcare NOT Warfare campaign.

Norman Solomon is the national director of RootsAction.org and executive director of the Institute for Public Accuracy. The paperback edition of his latest book, War Made Invisible: How America Hides the Human Toll of Its Military Machine, includes an afterword about the Gaza war.

Donate
Leave A Reply

Subscribe

All the latest from Z, directly to your inbox.

Institute for Social and Cultural Communications, Inc. is a 501(c)3 non-profit.

Our EIN# is #22-2959506. Your donation is tax-deductible to the extent allowable by law.

We do not accept funding from advertising or corporate sponsors.  We rely on donors like you to do our work.

ZNetwork: Left News, Analysis, Vision & Strategy

Subscribe

All the latest from Z, directly to your inbox.

THE WIND CRIES FREEDOM

The Wind Cries Freedom, the new book from Z co-founder Michael Albert, is a sweeping oral history of a future American revolution.

Through thirty interconnected chapters, it draws out the strategies, failures, turning points, and hard-won wisdom of a movement that called itself the Revolutionary Participatory Society. These are not the polished memoirs of politicians: they are the unfiltered accounts of people who organized in neighborhoods, hospitals, universities, stadiums, courthouses, and places of worship, and kept a shared vision alive through cynicism and exhaustion.

The result is speculative political fiction that reads like history: messy, human, and quietly hopeful in the way that only real experience and long thought can produce.

Get your copy and peruse more features on the book’s website below.

“Read it, argue with it, but don’t look away. The future it recalls is one we must still fight to deserve.”

Yanis Varoufakis

“The most unusual and intriguing combination of prophecy, manifesto, and movement building manual that I have ever encountered.”

Bill Fletcher Junior

“This work fills a huge gap in our social movement literature.”

Cynthia Peters

You've just read your article on Z this month.

DOES Z'S SURVIVAL MATTER?

You keep coming back for a reason: serious political analysis, movement reporting, and debate beyond the priorities of corporate media. Today, Z is in a precarious financial position. If Z is part of how you understand the world, help keep it going. The readers who give monthly are the reason this work survives between fundraisers.

Z is in a precarious financial position. If it’s part of how you understand the world, help keep it going.

Number of donors708
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Already a sustainer? Click here and we won’t ask again. Thank you!

Your reading count is stored only in your browser and is never sent to us.

Sound is muted by default.  Tap 🔊 for the full experience

CRITICAL ACTION

Critical Action is a longtime friend of Z and a music and storytelling project grounded in liberation, solidarity, and resistance to authoritarian power. Through music, narrative, and multimedia, the project engages the same political realities and movement traditions that guide and motivate Z’s work.

If this project resonates with you, you can learn more about it and find ways to support the work using the link below.

Z is in the most precarious financial position in its history.

Z is a place to think beyond the limits of the present.

For decades, Z has brought together political analysis, movement reporting, debate, and visions of a different future from writers and activists around the world. That work is more than journalism. It is movement infrastructure: movements need places to develop ideas, test arguments, learn from experience, and imagine what comes next.

In the first two days of this fundraiser, 19 donors and 8 new monthly sustainers stepped up. Help us reach 1,000 donors who keep Z independent, for everyone.

For decades, Z has published the analysis, debate, and visions movements need, free of paywalls, ads, and billionaire owners. If that work should continue, Z needs your support now.

Number of donors708
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Subscribe

Join the Z Community – receive event invites, announcements, a Weekly Digest, and opportunities to engage.

Exit mobile version