Mokhiber and Robert Weissman

We’ve

heard it said that commercialism will keep expanding its frontiers until every

boundary has been smashed and non-commercial values are completely extinguished.

Let’s

now admit that we are rapidly approaching that point.

We

are friends with a seven-year-old, who has been sheltered to a large degree from

the ravages of commercialism, who likes baseball, and who likes to sing that

American classic "Take me out to the Ballgame."

We

were driving him to see a major league ballgame the other day, running late,

listening to the first inning on the radio, when a jingle for an oil company

came on — "Take me Out to Sunoco."

"What’s Sunoco?" the seven-year old asked.

"Sun

Oil Company," we said in shock.

Slowly, baseball has been giving in to the creep of commercial culture. Of

course, for years, ads have played a dominant role at the ballparks. But now

things are getting out of control.

Every

time the New York Yankees turn a double play, the Yankees play-by-play

announcers are required, by contract, to say "There’s Another Jiffy Lube Double

Play." When Yankee skipper Joe Torre pulls the starting pitcher and calls for a

relief pitcher, the Yankees announcers must say there’s a "Geico Direct Call to

the Bullpen." And so on.

And

now, the forces of commercialism have grabbed onto one of baseball’s all-time

heroes, The Ironman, Lou Gehrig.

Alcatel, the French telecommunications firm that is using Martin Luther King’s

"I Have a Dream" speech in national television and print ads, has obtained the

rights to Gehrig’s famous 1939 farewell speech at Yankee Stadium.

In

that speech, despite having a fatal disease that bears his name — amyotrophic

lateral sclerosis — Gehrig told the Yankee stadium crowd on that day he

considered himself "the luckiest man on the face of the Earth."

We

called up Brian Murphy, the U.S. spokesperson for Alcatel and asked him about

the Gehrig ad. He said that decision on whether to run the ad would be made with

a few weeks.

We

made the point that Dr. King was not about commercialism and would never have

allowed his name to be used for commercial purposes.

We

reminded Murphy that there has been strong criticism from the civil rights

community over the use of Dr. King to sell the French company’s telephone

equipment.

On

the Today Show last month, Julian Bond, chairman of the NAACP and a colleague of

Dr. King’s, ripped into Alcatel.

"It

just seems to me that some things ought to be sacrosanct," Bond said. "Some

things ought not be commercialized. Martin Luther King is one of those icons of

the movement. This just strikes me as leading us further and further down a

dangerous path. I can imagine some day seeing Franklin Roosevelt saying, ‘We

have nothing to fear but headache pain,’ or John F. Kennedy saying, ‘Ask not

what you can do for your country, but what you could do for Country Ham.’ It

just strikes me as a further intrusion of commercialism into some of the — one

of the most important icons of the 20th century."

Murphy admitted that the company has received "mixed reactions" to the King, but

defended the company’s course, reminding us that the King estate was paid for

the rights to the "I Have a Dream" speech.

How

much? we asked.

"That’s proprietary information," he said.

"We

worked with the King Foundation, the King estate throughout the process, they

approved the King ad — all along we wanted to make sure we were honoring Dr.

King and we feel we did," Murphy said. "We believe we did the right thing."

But

what about the fact that Dr. King would never have allowed such a thing, that he

was disappointed that our country had failed "to deal positively and

forthrightly with the triple evils of racism, extreme materialism and

militarism."

"I

don’t know the man," Murphy blurted out.

Clearly you don’t.

Russell Mokhiber is editor of the Washington, D.C.-based Corporate Crime

Reporter. Robert Weissman is editor of the Washington, D.C.-based

Multinational Monitor. They are co-authors of Corporate Predators: The Hunt

for MegaProfits and the Attack on Democracy (Monroe, Maine: Common Courage

Press, 1999).

 

 

 

 

Russell Mokhiber is editor of the Washington, D.C.-based Corporate Crime Reporter, a legal weekly. Robert Weissman is editor of the Washington, D.C.-based Multinational Monitor and co-director of the corporate accountability group Essential Action. They are co-authors of Corporate Predators: The Hunt for Megaprofits and the Attack on Democracy (see http://www.corporatepredators.org)

 

Donate
Leave A Reply

Subscribe

All the latest from Z, directly to your inbox.

Institute for Social and Cultural Communications, Inc. is a 501(c)3 non-profit.

Our EIN# is #22-2959506. Your donation is tax-deductible to the extent allowable by law.

We do not accept funding from advertising or corporate sponsors.  We rely on donors like you to do our work.

ZNetwork: Left News, Analysis, Vision & Strategy

Subscribe

All the latest from Z, directly to your inbox.

THE WIND CRIES FREEDOM

The Wind Cries Freedom, the new book from Z co-founder Michael Albert, is a sweeping oral history of a future American revolution.

Through thirty interconnected chapters, it draws out the strategies, failures, turning points, and hard-won wisdom of a movement that called itself the Revolutionary Participatory Society. These are not the polished memoirs of politicians: they are the unfiltered accounts of people who organized in neighborhoods, hospitals, universities, stadiums, courthouses, and places of worship, and kept a shared vision alive through cynicism and exhaustion.

The result is speculative political fiction that reads like history: messy, human, and quietly hopeful in the way that only real experience and long thought can produce.

Get your copy and peruse more features on the book’s website below.

“Read it, argue with it, but don’t look away. The future it recalls is one we must still fight to deserve.”

Yanis Varoufakis

“The most unusual and intriguing combination of prophecy, manifesto, and movement building manual that I have ever encountered.”

Bill Fletcher Junior

“This work fills a huge gap in our social movement literature.”

Cynthia Peters

This is your article this month.

We’re glad you keep coming back. If Z’s work has informed, challenged, or inspired you, that’s no accident: there are no paywalls, no ads, and no billionaire owners here, and there never will be. Independent media survives because readers choose to support it.

Billionaires fund their own media. We fund ours. Help us reach 1,000 sustaining donors:

Number of donors688
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Already a sustainer? Click here and we won’t ask again. Thank you!

Your reading count is stored only in your browser and is never sent to us.

Sound is muted by default.  Tap 🔊 for the full experience

CRITICAL ACTION

Critical Action is a longtime friend of Z and a music and storytelling project grounded in liberation, solidarity, and resistance to authoritarian power. Through music, narrative, and multimedia, the project engages the same political realities and movement traditions that guide and motivate Z’s work.

If this project resonates with you, you can learn more about it and find ways to support the work using the link below.

Independent media is not disappearing because the ideas are weak.

It is disappearing because platforms reward speed, outrage, and algorithmic visibility over thoughtful analysis.

More than 100,000 people read Z every month, free of paywalls, ads, and billionaire owners. It takes fewer than 1 in 100 of them to fund all of it: 1,000 donors who keep Z independent, for everyone, and build what comes next.

Number of donors688
Our goal1,000

Sustainers at $9/month or more receive the digital Z Magazine.

Subscribe

Join the Z Community – receive event invites, announcements, a Weekly Digest, and opportunities to engage.

Exit mobile version