Danny Schechter

In

less than two months, on October 1st, the People’s Republic of China turns

fifty. Mao’s long march liberated a country which in a half century has gone

from championing world revolution to building "socialism with Chinese

characteristics." For many, that means turning the Great Wall into the

Great Mall, the biggest market in the world where radical slogans still co-exist

alongside admonitions like "to get rich is glorious." Forbes, the

self-styled "capitalist tool" now promotes itself with ads in a style

harkening back to the cultural revolution. But this time, the masses waving red

books have big dollar signs plastered over them.

From

the outside, China seems orderly and organized, dominated from above by its old

style party apparatus while modernizing its economy from below along market

principles. Inside, the country is seething with major economic dislocations,

inefficient industries, serious unemployment and growing social unrest.

Oddly

enough, in the last week, New York’s Central Park has played host to three

separate and distinct dissident streams that are riling the bureaucrats in

Beijing. They offer a window into serious schisms and contradictions within one

of the most important, if most poorly covered major countries in the world.

The

most visible of these was the visit of Tibet’s Dalai Lama, who drew 40,000

people to the Park’s East Meadow August 15th to hear a lecture about inner

values, compassion, peaceful change and interestingly economic inequality in the

United States. While His Holiness, as he’s known, only one made one veiled

reference to China, the Chinese officially denounced his visit. They see him as

a "splittist" and insist that China, which was independent before

being "liberated" by the Red Army, is the only legitimate ruler of

Tibet. The Dalai Lama heads an India based government in exile which insists

otherwise. For forty years, he’s sough to return to his homeland but the Chinese

are unwilling to negotiate. It was partially official fears of a Kosovo style

NATO "war for human rights" in Tibet that galvinized the fierce wave

of protests in China that followed the bombing of Beijing’s Embassy in Belgrade.

China

worries about Western intervention, and in recent weeks has been talking tough,

even threatening military intervention of its own in Taiwan which appears to

want to be recognized a separate state, not part of China. On Tibet, even as the

Dalai Lama’s popularity mushrooms, China is sounding more defensive about its

posture although no less strident in its claim to sovereignty. When I was in

China two years ago, I heard about a TV producer who was fired when an image of

the Dalai Lama inadvertently was shown in a documentary. The producer insisted

he didn’t know what the Dalai Lama looked like–since his image is banned in the

same way that South Africa forbid the publication of any image of Nelson Mandela

for years. It didn’t matter. He was fired anyway.

There’s

a new force oin the scene which also turned up in the park that same Sunday

morning, in the shadow of the Joseph Papp Shakespeare Theater. It was a mixed

group of Chinese and Americans doing graceful physical exercises and

meditations. They are pursuing a spiritual practice called Falun Gong or Falun

Dafa, which claims 70 million adherents in China and thirty million worldwide,

including inside the United States. In the last month China has outlawed Falun

Gong, which is based on traditional chigong exercises that draw hundreds of

thousand of Chinese to local parks each morning for an exercise regimen.

Pointing

to the sudden unexpected silent assembly of ten thousand Falun Gong

practitioners outside the compound housing the Chinese leadership in Beijing

last April, China’s President Jiang Zemin is now trying to crush what he is

calling a dangerous cult. He accuses Falun Gong and its founder Li Hongzhi, now

in the US, of trying to overthrow the government. As a result, its practitioners

are being jailed and its books and videos burned as part of a government ordered

campaign against "superstition." China has branded Falun Gong a sect,

even comparing Li to the late David Koresh of Waco Texas "fame," and

is demands his arrest.

Falun

Gong counters that it is not-political, not a sect or even an organization and

has no such agenda. Clearly the Chinese freaked out by having so many of its

citizens, including Party members, loyal to an independent spiritual practice.

Perhaps because of its uniquely Chinese character, the repression of Falun Gong

has only triggered a mild response from the US human rights community, U.S.

government and press. It seems as if op-ed pundits are more distressed by long

sentences handed out to a handful of pro-democracy activists than the hundreds

of thousands of Falun Gong practitioners who seem more a more like a cross

section of the ordinary Chinese population.

A

week earlier, as part of Central Park’s showcase of world music, an even more

prominent if unofficial Chinese figure was on hand: Cui Jian, (pronounced

"Sway-Jen") China’s legendary rock and roller. He was in the United

States on the kind of tour he still has trouble mounting in China where rock and

roll is viewed with suspicion. Cui Jian was one of the voices that inspired

Chinese youth in period leading up to Tianamen Square. He is China’s Bruce

Springsteen (or is Springsteen, America’s Cui Jian?) a hard rocker who is also

introducing rap to his many fans among the youth. His new album is called

"The Power of the Powerless" (World beat records) and is hard charging

but also reflecting the disillusion of his generation: He sings of those who

just want to make money labeling them "Slackers:"

The

new age is here, no one is making trouble anymore You say everyone’s ideals have

been washed away by the times Watch TV, listen to the radio, read the paper You

say the conflict of ideals is no more.

Clearly

there still is a conflict of ideals, and over politics in China–a conflict

which is spilling over into the United States.

You

can see it continuing fight over Tibet, in the overreaction of the Chinese

government towards Falun Gong, as well as in the many Falun Gong practitioners

who are seeking something in their lives that the often empty struggle rhetoric

of the Party no long gives them. As we learned in the 60’s , there is nothing

like the whack of a policeman’s club on the head to politicize the

non-political. Cui Jian told me that while he doesn’t like Falun Gong, he

worries that the government is going overboard in a counter productive way.

Cui

Jian’s music gives you a taste of the struggle that is yet to come in China. He

closed his bi-lingual show by leading the audience in a sing along of an old Red

Army song from the wars for China’s independence, playing to the pride,

patriotism and power of the new generation that will be remaking China in the

next fifty years.

If

the 20th Century was, in Henry Luce’s phrase, the "American Century."

the 21’st is likely to be the century of China. Its a country and culture we

need to know more about. Which way it goes will effect the rest of the world.

The Chinese government is determined not to emulate the devastating decline of

the former Soviet Union. In that respect, as well as because of a need to feed

over a billion people, its emphasis on preserving stability is understandable.

But pressures for more freedom and less authoritarianism are also building.

I

know. I saw them all working out in Central Park.

Danny

Schechter, executive Producer of Globalvision and the Executive editor of the

soon to be launched internet supersite; "The Media Channel." He is

the author of the forthcoming "News Dissector: Passions, Pieces and

Polemics" (l999) (www.electronpress.com)

 

 

Donate

Danny Schechter is a founder and the Vice President/Executive Producer of Globalvision, Inc., a media company formed in l987. At Globalvision, he created the award winning series "South Africa Now," which aired for three years. He co-created and co-executive produces "Rights & Wrongs: Human Rights Television," anchored by Charlayne Hunter-Gault, an award-winning globally distributed weekly television newsmagazine series. Mr. Schechter has also produced and directed seven independent films. Mr. Schechter has written: "The More You Watch, The Less You Know" (Seven Stories Press" (Seven Stories Press and the forthcoming "News Dissector: Passions, Pieces and Polemics (Electron Press.) He is the creator and executive editor of The Media Channel, a media and democracy supersite on the worldwide web. His left involvement stretches back to Ramparts Magazine, through the anti-war and civil rights movements of the sixties, and into the present day.

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