2012. gada Kanādas zinātniskās fantastikas seriāls kontinuums, tagad pārraide SyFy kanālā ir brīdinājuma zīme. Tas atspoguļo, iespējams, bez nodoma, eskalāciju veidā, kā plašsaziņas līdzekļi atbalsta palielinātu policijas varu, kā arī pilsoņu brīvību un domstarpību apspiešanu.
At first glance, this series is a mix of a standard science fiction trope with a police procedural. Criminals from the future are pursued by a cop from the future – accidentally brought along during their escape. This is an old combination.
Jaunums šajā sērijā ir tas, ka 2077. gads, no kura nāk policists, ir distopisks gads, kurā valda korporatīvā diktatūra. Noziedznieki ir teroristi, kas cenšas atjaunot demokrātiju un cilvēktiesības. Tas ir pareizi. Talantīgā, harizmātiskā un mirdzoši skaistā Reičela Nikolsa ir nākotnes policiste, kas cenšas glābt korporatīvo diktatūru no demokrātijas šausmām.
The writers argue that this conflict is a way of adding moral complexity to the series. As they say on the series website, on the page that describes the criminal group “Liber8”: “For many, it will be hard not to agree with their philosophy — but for most, it will be impossible to agree with their methods.” But kontinuums nav izņēmums noteikumam, ka televīzijas fantastika parasti ir emocionāla pieredze, nevis intelektuāla pieredze; viss emocionālais svars tiek nosvērts pret diktatūru un pret tiem, kas tai iebilst.
In the opening episode, Kiera (the cop star of the show played by Nichols) is shown as a loving wife and mother. She is a tough but fair cop who arrests some petty criminals and warns them to change their ways before sending them off to the cop shop. One character complains about the lack of human rights and free speech in their society, and she comments wryly “you seem to be able to speak pretty freely”. The leaders of Liber8 are captured after killing 20,000 people to bring down 20 corporate leaders. The shot of the explosion they create includes bringing down twin towers. Later in the series you see that one of the things they were doing before they killed 20,000 people was randomly blowing up power stations and causing extended power blackouts. “If there's a message there, I'm not seeing it” says 2077 Kiera.
We may occasionally see an argument for the Liber8 point of view, but the emotional deck is always stacked partially against them, and shifts overwhelmingly against them by episode's end. For example, we see what turned the leader of Liber8, Kagame, violent. His non-violent meeting is brutally attacked by corporate police who endanger a baby in a poor homage to Eisenstein. But at the beginning of that scene we are shown glassy eyed participants getting lost in a chant led by Kagame. The brutal police are busting up a cult. In the same episode, we see Kagame in our time get away from Kiera because his followers grab a random baby and use that baby as a hostage to keep Kiera from following them. We constantly see Liber8 as casual killers, indifferent to how many innocents they need to kill to achieve their goals.
It is also interesting how the series manages to tie violent terrorist Liber8 to the Occupy movement in 2012. One episode opens with Kiera staring in disbelief at an Occupy encampment. She wonders why they have not been cleared away. Her 2012 partner, Carlos, explains to her that they are on public land and it would require getting the mayor involved.. Besides these protestors are harmless; they will probably go home eventually and “hold hands and sing Kumbaya”. Showing force before you have to will only inflame the crowd and escalate. “Things always escalate” says Kiera, darkly. Apparently the Canadian makers of the series never noticed violent police actions throughout the United States against peaceful Occupy protests.
Kiera's prediction is soon proven correct. It turns out that Liber8 has decided to take advantage of Occupy because “they share our belief, our anger”. Yup, that is what Occupy was about all right – a single rage driven ideology. However it does turn out that the peaceful protestors have to be stirred into action. No problem: Liber8 hires anarchists to stir up the crowd. After all anarchists are all violent criminal thugs who will do anything for money, and the Occupy crowd is so weak-willed that it only takes a few troublemakers to stir up a riot among them. The riot is used as a cover for Liber8 to kidnap a corporate executive. (They kill security guards during the kidnapping, just to highlight their casual brutality.)
Liber8 demands 20 million dollars in ransom for the kidnapped executive – which the corporation shells out. That money is ultimately to be given to the Occupy protestors in front of corporate headquarters (who the police, softies that they are, apparently leave in place even after the previous day's riot which served as cover for a kidnapping). And when the protestors hear that the money is to be given to them they are on the verge of riot again, demanding that money until it is tossed to them – which they grab for like animals being fed in a zoo. And then they chant “Liber8, Liber8” because apparently kidnappers are always popular among peaceful protestors as long as the protestors get the ransom.
Whatever the intent behind the show, whatever is in the hearts of the show-runner and writers, the emotional resonance is clear. The policewoman who represents the totalitarian corporate dictatorship is strong, loving, caring, calm and compassionate. She offers security, stability, safety and protection against the danger and brutal, bloody, chaotic insanity of those who aspire to democracy, equality and freedom. That right-wing authoritarian message is what the program conveys.
To producenti un šovu vadītāji intervijās apgalvojuši kontinuums piedāvājumi pelēkos toņos. Bet galu galā, zem plānas labējās propagandas slāņa apraktas izrādes kodolu veido vairāk labējā spārna propaganda. Un šī labējā propaganda, iespējams, ir viena no ekstrēmākajām televīzijā.
The idea that torture and casual violence by authorities is necessary to protect us has long been part of popular culture. Well before 911, it was embedded in the meme of the rule-breaking maverick cop, and the peaceful patient guy who turns brutal vigilante after being pressed too far. Every cop show that includes scenes where it is just too much to expect for cops to stick to the rule book ends up selling the idea that it is OK to beat confessions out of people sometimes. In that context, the defense of torture in films like Zero Dark Thirty var redzēt kā Dirty Harry or 24 rakstīts uz lielāka, gludāka audekla.
Bet kontinuums combines that meme with the love certain parts of the political spectrum have for hard choices and the contempt those parts of the political spectrum have for choices that don’t involve suffering for ordinary people. That combination takes this meme to the next level, and draws out its full logical implication. The choices the future offers in this show are corporate dictatorship or being tormented by daily violent criminality. Democracy is a failed dream terrorists use as shield from which to kill. The imperfect security of corrupt totalitarian corporate rule is the lesser evil, the only chance of a mote of security and safety against the violence and chaos that lurks behind all talk of freedom, equality, solidarity and democracy.
ZNetwork tiek finansēts tikai ar lasītāju dāsnumu.
Ziedot
1 komentēt
Hey Gar,
I like this article, and I’ve been looking for a good piece which succinctly sums up whats so wrong with Continuum’s politics. I really would dig it if you would review this page, there are html errors and half a sentence missing at the start of the third paragraph. I’m not giving you a hard time: its because I like the article that I would encourage you to fix it, because I want to forward it to my groups, but I can’t really do that as it is right now.
vislabāk
Leon